Paul Newman in courtroom drama The Rack (1956).
(Source: drivinginthesun)
Paul Newman shows off his wheels in a 1950s studio portrait.
(Source: scream-like-a-baby, via humphreysbogart)
![redfordmcqueenandnewman:
“[the great waldo pepper] is the story of a man defining himself only against his self-set challenges, a man who connects with the dream, who can make a friendship, or make love, but who never touches the crowd. He is a circus freak. He entertains everyone. But he is alone inside a fantasy. And he will live and die like that, which is both his glory and his tragedy.” Roy Hill; director](http://25.media.tumblr.com/tumblr_m4ahf5eNT31r6dcq0o1_1280.png)
“[the great waldo pepper] is the story of a man defining himself only against his self-set challenges, a man who connects with the dream, who can make a friendship, or make love, but who never touches the crowd. He is a circus freak. He entertains everyone. But he is alone inside a fantasy. And he will live and die like that, which is both his glory and his tragedy.” Roy Hill; director
(Source: smallnartless)
Robert Redford and Barbra Streisand in a publicity portrait for The Way We Were (1973).
(via always-fair-weather)
(Source: kluskizmakiem)
Robert Redford in the early 1960s.
(Source: humphreysbogart)
Paul Newman in the 1950s.
(Source: jewahl)
Robert Redford in the late 1950s or early 1960s.
(Source: humphreysbogart, via always-fair-weather)
Streep. Cruise. Redford.
Robert Redford in the late 1950s.
Robert Redford and Barbra Streisand in a publicity portrait for The Way We Were (1973).
(Source: mynameisbarbra)
Sophia Loren and Paul Newman.
Paul Newman
Alexis Smith and Paul Newman in The Young Philadelphians (1959, Warner Bros.)
