![redfordmcqueenandnewman:
“[the great waldo pepper] is the story of a man defining himself only against his self-set challenges, a man who connects with the dream, who can make a friendship, or make love, but who never touches the crowd. He is a circus freak. He entertains everyone. But he is alone inside a fantasy. And he will live and die like that, which is both his glory and his tragedy.” Roy Hill; director](http://25.media.tumblr.com/tumblr_m4ahf5eNT31r6dcq0o1_1280.png)
“[the great waldo pepper] is the story of a man defining himself only against his self-set challenges, a man who connects with the dream, who can make a friendship, or make love, but who never touches the crowd. He is a circus freak. He entertains everyone. But he is alone inside a fantasy. And he will live and die like that, which is both his glory and his tragedy.” Roy Hill; director
Paul Newman on the set of Harper (1966).
(Source: drivinginthesun)
Robert Redford and Natalie Wood on the set of This Property is Condemned (1967).
(Source: youngfirstlady)
Paul Newman and Jean Simmons
Paul Newman in the early 1960s.
(Source: amandamn)
Barbra Streisand and Robert Redford on the set of The Way We Were in 1972.
(Source: mynameisbarbra)
Robert Redford for Butch Cassidy and the Sundance Kid (1969)
Robert Redford and Barbra Streisand on the set of The Way We Were in 1972.
(Source: littlegracierice)
Paul Newman, Robert Redford and George Roy Hill on the set of The Sting (1973).
(Source: apaullo, via always-fair-weather)
Barbra Streisand and Robert Redford on the set of The Way We Were in 1972.
(Source: lamuserevoltee)
shades
hitting the slopes
Barefoot in the Park
Paul Newman and wife (and co-star) Joanne Woodward on the set of Paris Blues (1961).
(Source: mietteshoppe)
